My art - Technical revolution as one of the main drivers of our art

ART IS NONSENSE

After an exhausting motocross race around the age of 18, I sat with a fellow rider. We sat sweaty in our deckchairs drinking lots of water and recovering from the exertion. There was a little chat about the beautiful things in life, interests and what the future will bring. My statement: "I'm also interested in art" was acknowledged in disbelief by my motocross colleague with the statement: "Art is nonsense!" To which I: "And driving in circles is not!?".

The enlightenment for my colleague and also for me came immediately. If you look at it that way, how true and untrue these two statements are at the same time. A question from the viewer - an individual answer or insight to these two statements. And suddenly, out of nowhere, the philosophical question about the meaning of being arose. What makes sense and what doesn't? What makes you happy and what doesn't? What is art anyway? A question that is much more complex than the question of what a motocross race is. A motocross race is essentially about circling a motocross course with a predetermined number of laps as fast as possible. The definition of art is much more complex. The question of meaning is, I believe, equally complex in both cases. Because it poses the big question about the meaning of one's own individual life. And since there is an individual view of things in the world, the opinions on what makes sense and what does not are just as individual and therefore different.

The opinion, often neither right nor wrong. And neither absolutely. Opinions are by no means static for an open and self-reflective person, but are subject to an educational process - the formation of opinions. The emergence of an inner picture in the mind of the thinker. Depending on how you express this opinion, it can be quite artistic.

My art

Art as a means of reflection, expression and communication. As a means to organize myself and my thoughts, to gain analogies for different concepts and to find simplifications through analogies from the most diverse areas of knowledge and creativity. Art as a means of finding a goal. The goal of gaining a clear standpoint of one's own being in our world. Clarity about meaningful values, clarity about your own knowledge and your own self-imagined and experienced knowledge. Only one's own knowledge produces one's own individuality. Selfconfident and self-determined. 

THE MEMBRANE

My work of art on the wall, statically immovable, at rest in itself.

Due to its multi-dimensionality, the different image levels (image-in-image) and the different light emissions via remote control, the image becomes lively and interactive. Due to its microscopic relief structure, it reaches a little into the room. Due to the macroscopic structure, it grips the space more strongly. The surface of the work of art arches into space analogously to a permeable, elastic membrane. The work of art strives into space, the real space of time and dimension. It wants to go beyond that. To be carried into the world. Leave his frame. As a sculpture in the room, detaching itself from the wall. Further into the world - reach people. Dialog. Communication.

As an artist, I seek knowledge and dialogue. The dialogue with me and the world. Always looking for something that "clicks". The aha experience, a coherent and logical conclusion that did not exist before. The brainstorm.

The on-site viewer uses the remote control to enter into a dialogue with the work of art and at the same time almost inevitably with himself. Self-reflection.

By digitizing the work of art, the work of art embarks on a journey into the large virtual world. It frees itself from static constraints and begins the journey through the depths of the Internet, the intellectual network of mankind. The artwork reaches a higher level. Quite analogous to higher levels in religion/belief. At the same time, it loses sharpness and plasticity. Completely analogous to Heisenberg's Uncertainty Relation.

As an NFT (Non-Fungible Token) it moves through the Internet, encrypted in the blockchain. It flows from one computer to the next. Is never just on one computer, but always on several computers at the same time. Where exactly? This is unknown. On numerous computers on earth one can say with certainty – yet.

THE ART UNIVERSE (Globes)

My thematic universe represents a flexible system of order. It arranges my art, similar to an outline and a table of contents in a book. At the same time, the art key is also a creative tool for developing new works of art. The artworks are divided into four basic levels, the Globes, Cycles, Segments and the Variations. These four levels form the basic thematic universe of my art. Analogous to the structure of an atom (globe), with its atomic nucleus around the different paths (cycles) the electrons (segments) circle. The variations are intended to be analogous to the different energy states or excitations of the atom.

The topics can contain very concrete, conceptual associations, as well as emotional associations and their mixed forms. Quite analogous to a composition for an opera (the association of terms, the construction/composition around a musical story) or the jam session (the spontaneous association of emotions).

The art key

The art key shows the origin or the creation of the work of art. It shows the various essential stylistic devices that have contributed to the creation of the work of art. Where does the idea for a work of art come from? From the imagination? From an inspiration, from collected life impressions? ... diverse like life, the ArtKey is a kind of bar code for my art. A kind of virtual construction plan analogous to our DNA and the construction plan of life contained in it. The ArtKey gives and brings information about the number of alienations, inversions, simplifications, the picture in the picture and much more.

The construction kits/the tool kits

My works of art need different technologies in their creation process, from the most diverse developments of materials to the most diverse form and colour technologies - to name just a few. In my kits there are many and very different material compositions. Rigid materials, elastic materials, malleable materials, translucent materials, colours, etc. My toolboxes contain the tools and technologies for composing and designing the individual elements of my construction kits. Hydroforming, primary forming, forming, laser structuring, ...

A lot of effort for what? Does art need all this?

Art doesn't need it. My art does. Here, too, one can of course ask the good, old question of meaning. It feels like it makes sense to me. Right or wrong? I don’t know. The philosophical goal of my art? The unity of cognition and emotion. The merging of the conceptual with the emotional association? To develop an understandable, ethical, moral and belief model? The dialogue with the viewer of my art.

The resonance of my art with the viewer. A higher state of knowledge, truthfulness and love!

SpeedOfArt

Not the product of colour and space. Different or much more. The volume of art, more than the integral of two dimensions. Multiply the mysticism and science added, how much greater is the result in the equation of art. The creative and innovative goal of my art? The means for a purpose. Translucent and mystical! Multidimensional and dynamic! In dialogue with viewers in space and time.

 

- Xyz high n - the macroscopic space. The superposition of several macroscopic levels in space.

- Uvw high n – the microscopic space. The microscopic structure, the surface in the spatial. Symbiosis with the colouring and the macro structure.

- Rst high n – the coloured space. The three-dimensional colour space. Analogous to colouring a marble sphere. ...

- Time high n - the representation of time through light and the superimposition of different levels. ... The representation of chronological sequences. Of aging or, analogously, the inversion of aging - of rejuvenation. ...

 - Sound high n - the tonal resonance in the listening viewer. The combination of sound and colour as a composition. ...

- Haptics high n - The touch, the sense of touch. - The tactile sense. Different haptics of the art objects invite you to touch them. ...

- Energy high n - light, speed, acceleration, heat, ... The representation of energy in its various forms.

- Emotion high n - the pure simple me. The resonance of the work of art in the mind of the beholder. ...

It all sounds complex. For the viewer, however, not decisive. Similar to using an automobile. The user uses it very pragmatically or passionately, without knowing how many work steps are behind the creation of an automobile.

The result

Works of art that attempt to combine reality and fantasy, this world and the afterlife. Forming the membrane between the worlds, between different points of view. The sculptures reach into the room, colouring it. Interact with their environment. Stimulate the viewer's senses and enter into a dialogue. With the help of the various art construction kits and tool boxes, in combination with innovative and creative thinking, works of art with different styles and themes are created.